My installations combine moving image with sculpted environments. I find this fusion of projection and physical space is very compelling, and am looking for new ways to envelope and choreograph the viewer within the experience.
My work draws on immersive theatre, expanded cinema, and experimental film. I use film but with emphasis on the physicality and the spatial context.
Please scroll down for individual works.
Projective Distortions, 2014
Projective Distortions is formed of three similar structures with video projected onto them from very small, almost invisible, projectors. The sctructures together form a screen for the projections. The structures are created from a large number of gauze pyramids attached together, creating an irregular shape. The structures revolves slowly so that the shape of them appear to change and morph. It is this movement of irregular shapes that sculpts the film. The title refers to the image being pulled and distorted in space by the screen structure, and to a term in graphic geometry involving the distortion of three-dimensional space when “projected" (or drawn) on a two-dimensional surface. In the work, two-dimensional film is distorted by the construction and creation of three-dimensional space.
In addition, the image is distorted, doubled and mirrored by the properties of the gauze as it lets only a certain amount of light through. As the structure revolves, because of its irregularity, the viewer sees the projections through varying numbers of layers of screen. Therefore the image may sometimes fleetingly appear mirrored four times, sometimes only once. The images look to be trapped inside the pyramidal shape, for example, birds fly through and over the structure, but seem to be inside a cage.
The film being projected is a montage of motion. It includes the movement of people and animals as well as machines and transportation. These different forms of motion, collide and overlap in the film, forming a semi-abstract collage.
Fragment Cinema, 2013
Fragment Cinema is a sculptural screen that plays with the illusory nature of moving image by fragmenting both the screen and the film projected onto it and allowing them to interact in new and unusual ways. The screen is a performer in the film, and the form of it creates a film with an inside. The projected imagery is on the brink of narrative, using montage, cadence, form and movement to create meaning, and highlighting the role of the spectator’s imagination in any film viewing.
Music by Nye Parry
Enemy Deception, 2008
Enemy Deception is an experiential installation. It consists of interwoven white wire grids in a black space. The wires exist on every plane and interlace with each other. A projection of a film made entirely from photos of the grids is then projected back onto the structure itself. The installation appears as a drawing in space- constantly moving and changing with more or less of the lines visible as the film changes.
(S)Harp Light, 2008
Building on 'Enemy Deception', this piece consists of coloured projection on woven lines. This installation was shown at The Crypt gallery, St Pancras, London in 2008. I have since developed it as a holographic projection stage performance.
Les Instantanes, translating to ‘snapshots’ is in fact a 3D collage constructed from hundreds upon hundreds of photos of Paris. The images are a mixture of photos I’ve taken, photos taken by famous photographers, of famous Parisians, scenes from the history of Paris and from films. Movie stars, French leaders, scientists, artists, rioters, moments of collective memory all co-exist with elements of my personal past in Paris.
At the centre is Daguerre, and the first photo ever taken, which was of a Paris street.